Consonance and Dissonance in Visual Music
نویسندگان
چکیده
Filmmakers. In Bruce Posner (ed.) UnseenCinema: Early American Avant-Garde Film 1893–1941.New York: Anthology Film Archives. Stravinsky, Igor. 1970. Poetics of Music in the Form ofSix Lessons, trans. Arthur Knodel and Ingolf Dahl.Cambridge, MA: Harvard University Press.Sutton, Daud. 2007. Islamic Design: A Genius for Geometry. New York: Walker.Tenney, James. 1988. A History of Consonance and Dis-sonance. New York: Excelsior. Vitruvius Pollio, Marcus. 1999. The Ten Books on Archi-tecture, trans. M. Ingrid and D. Rowland. New York:Cambridge University Press. Whitney, John. 1968. Experiments in Motion Graphics. Filmre-released on The John Whitney Collection DVD. SantaMonica, CA: Pyramid Media. Whitney, John. 1980.Digital Harmony: On the Complementarityof Music and Visual Art. Peterborough, NH: Byte Books.Wilfred, Thomas and Edwin M. Blake. 1948. Letters Pro andCon. The Journal of Aesthetics and Art Criticism 6(3): 265–76.Consonance and Dissonance in Visual Music 119
منابع مشابه
Ching-Hua Chuan
This paper explores the concepts of metrical consonance and dissonance in a broad and yet articulate way. Krebs first gives a brief review of previously studies. He then extends the definition by Yeston to combine the concepts of levels of motion and musical meter to define metrical consonance and dissonance. Another modification of Yeston’s work is extending the applicable range of dissonance ...
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•Correspondence: Richard Parncutt, Centre for Systematic Musicology, A-8010, Graz, Austria; tel: +43 316 380-8161, e-mail: [email protected] • Action Editor: Renee Timmers • Received: 20 July 2011; Revised: 23 November 2011; Accepted: 24 November 2011 • Available online: 20 March 2012 • doi: 10.4407/jims.2011.11.002 Consonance and dissonance in music theory and psychology: Disentangling diss...
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